— Federico Fellini
the Symphony № 3 is inching along, which I like just fine. Back in October, when I left the score to rest on the shelf, I had an idea for m. 165ff. but I could not then discover the execution I wanted (meseems my thought was clouded in part by uncertainty that mm. 145-164 were quite what I wanted there. My doubts on that head were (I think now) simply unnecessary. Anyway, today I found just what I wanted for that conceptual passage, and now the piece runs 9 minutes.
Unless the evolving situation with the pandemic forces a change in Triad’s plans to sing concerts on 19 and 20 March, When will in fact be performed then.
Much as I love Miklós Rózsa’s score for Double Indemnity, of course, part of me wants to say that my favorite moment is when the Schubert Unfinished becomes the soundtrack of Fred MacMurray realizing that he has been a tool all along.
A good friend just posted that he solved today Wordle in two tries; he adds: That’ll never happen again. I realized today that it’s the perfect game for Americans...getting the right answer makes you feel proud of your accomplishment, but how well you succeed is largely determined by how lucky you are at the beginning.
I replied: The few times I’ve tried, luck was not with me, so I’ve decided that whenever a friend posts Wordle success, I’m going to celebrate by composing five measures of new music.
Sketches of Igor Fyodorovich’s for Petrushka:
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