I have two works-in-hiatus (Not counting White Nights) which now loom into my present consideration: A Heart So White, the dramatic scena for two female singers, live instruments and fixed media, and The Heart, the second movement of Karl’s Big (But Happily Incomplete) Map to the Body.
So, cardio, in either event.
At one point last year,I did start work (not yet diligently) on the voice lines of A Heart So White, but I feel I want to start completely afresh there.
As with Yesterday's Snow and Swiss Skis, The Heart is a project I turned around in my mind while I was in hospital.
I have not yet decided which heart to pursue first.
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