- Elgar’s Enema Variations
- Janáček’s Catalytic Mass
- Britten’s Rejoice in the Clam
- Ives plays Fenway—Three Bases in New England (courtesy of Joe Barron)
- Puccini’s tender Madame Butterball
- Debussy’s hesitant Prelude to an Afternoon on the Phone (courtesy of Barry Coleman)
- Puccini’s La Spatula del West
- Joh. Strauss Jr.’s toe-tapping Beautiful Blue Banjo
- Haydn’s illuming The Cremation
- Mozart’s probiotic Don Chobani
- Wagner’s Tristan und Ebola
- Messiaen’s primal Ourangoutangalîla
- Boulez’s immovable Le marteau sans Métro
- Bartók’s refined Miraculous Margarine
- Reich’s Music for Eighteen Beauticians
- Glass’s mesmerizing Coin-Operated Chotchkie
- Cage’s well-planned Sonatas & Interludes for Prepaid Piano
- Copland’s devotional Oblation Spring
- Jn Adams’s fishery-conscious On the Transmigration of Sole
- A truly different train—Pärt’s Caboose in memoriam Benjamin Britten
05 February 2017
Karl’s Anthology of Alternative Literature
03 February 2017
henningmusick: The self-evident truths we hold
henningmusick: The self-evident truths we hold
It is at last official that Out From the Unattended Baggage (flute, clarinet & bassoon) was not selected by the trio who placed the call.
Perhaps the title was too incendiary . . . .
It is at last official that Out From the Unattended Baggage (flute, clarinet & bassoon) was not selected by the trio who placed the call.
Perhaps the title was too incendiary . . . .
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