Today, I followed through on the thought, and refined the cl/pf arrangement of Nun of the Above. (Probably, I should follow through further, with a fl/pf version for PHB.)
Why spend so much effort, on so slight a piece?
I like it. I look forward to playing it myself. To repeat, although it is a modest work, I own every note of it.
And, per a friend's query on another head, because—although I wrote the piece on the traditional model of performance before an audience—perhaps I should build a parallel body of work, which "performs" in an environment other than a concert space.
More on this hereafter. For now, rest.
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