[Matisse] was interested neither in fending off opposition, nor in competing for the favor of wayward friends. His only competition was with himself.For reasons which I have shared on this blog before—principally, because I desire to finish White Nights first—I am not, not going to set to actual work on it. Yet.
— Françoise Gilot
Nor let me mislead you, Gentle Reader, into taking this in any way as a lament, in even the least degree. Because my Muse is there, assuring me that there is work to be done; and this is the unalloyed Good Thing.
Directly after I have my choir and handbell ringers settled with Christmas concert material, and when I shall at last have wrapped up the ballet, I find that I already have a plan for the Symphony № 2.
- The first movement to be a Prelude for the brass
- The second movement to be the Sonata-Allegro (of some sort or other)
- The third movement to be a Scherzo for the strings
- The fourth movement to an Adagio
- The fifth movement to be an Intermezzo for the woodwind
- And a dashing final, sixth movement
My feeling at present is to aim technically, again, at “a good community orchestra”; to score it as I did the first, only with the addition of harp (and, I expect, with a different, specific percussion complement); and for the whole to run (say) 35 minutes.
I do, in fact, have a specific idea for the opening movement. Whether I wind up using it or not, I should scribble it down for future reference. But that memorandum aside, I am not working on this Symphony. Yet.
I do, in fact, have a specific idea for the opening movement. Whether I wind up using it or not, I should scribble it down for future reference. But that memorandum aside, I am not working on this Symphony. Yet.
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