List of Henning compositions in whose premières Peter H. Bloom participated
Op.59 — Radiant Maples (2001) Flute, clarinet, harp, piano. Duration: 5'. First performance: First Church, Woburn, Massachusetts (24 June 2009).
Op.64a — Fragments of « Morning Has Broken ». (2002) Arrangement for flute, clarinet, piano. Commissioned for the First Congregational Church in Woburn (William Goodwin, music director). Duration: 4'00.
Lux Nova Press — Catalogue № LNP-0287.
First performance: Cathedral Church of St Paul, Boston, Massachusetts (12 May 2010).
Op.94a — The Angel Who Bears a Flaming Sword. (2008) Alto flute unaccompanied. Adapted for Peter H. Bloom. Duration: 12'. First performance: First Church, Woburn, Massachusetts (24 June 2009).
Op.94a — The Angel Who Bears a Flaming Sword. (2008) Alto flute unaccompanied. Adapted for Peter H. Bloom. Duration: 12'. First performance: First Church, Woburn, Massachusetts (24 June 2009).
Lux Nova Press — Catalogue № LNP-0215
Opus 95 — stars & guitars. (2009) Bass flute & harp. For Duo 2: Mary Jane Rupert & Peter H. Bloom. Duration: 20'. First performance: First Church, Woburn, Massachusetts (24 June 2009).
Op.97 № 1 — Heedless Watermelon (2009) Flute & clarinet. For Peter H. Bloom. Duration: 6'30. First performance: Peter H. Bloom & the composer, Boston Public Library, West End branch, Boston (28 July 2009).
Opus 95 — stars & guitars. (2009) Bass flute & harp. For Duo 2: Mary Jane Rupert & Peter H. Bloom. Duration: 20'. First performance: First Church, Woburn, Massachusetts (24 June 2009).
Op.97 № 1 — Heedless Watermelon (2009) Flute & clarinet. For Peter H. Bloom. Duration: 6'30. First performance: Peter H. Bloom & the composer, Boston Public Library, West End branch, Boston (28 July 2009).
Lux Nova Press — Catalogue № LNP-0232
Op.97 № 3 — Swivels & Bops (2010) Flute & clarinet. Duration: 3'00. First performance: Peter H. Bloom & the composer, Cathedral Church of St Paul, Boston (12 May 2010).
Op.97 № 3 — Swivels & Bops (2010) Flute & clarinet. Duration: 3'00. First performance: Peter H. Bloom & the composer, Cathedral Church of St Paul, Boston (12 May 2010).
Lux Nova Press — Catalogue № LNP-0234
Op.101 — Here You Go / Hear You Go. (2010) Flute & clarinet. Duration: 6'. First performance: Peter H. Bloom & the composer, King’s Chapel, Boston (18 May 2010).
Op.103 — How to Tell (Chasing the Tail of Nothing). (2011) Alto flute, clarinet & frame drum. Duration: 10'. First performance: The k a rl h e nn i ng Ensemble, King’s Chapel, Boston (19 May 2011).
Op.113 № 2 — Après-mystère. (2014) Flute (or piccolo) & clarinet in A. Duration: 5'. First performed by Peter H. Bloom & the composer, King’s Chapel, Boston (7 Oct 2014).
Op.114 № 2 — Zen on the Wing. (2013) Flute & clarinet in A. Duration: 5'. First performed by Peter H. Bloom & the composer, King’s Chapel, Boston (8 Oct 2013).
Op.117 — Jazz for Nostalgic Squirrels. (2013-14). Flute, clarinet, guitar & double-bass. First performed by The 9th Ear, Clarendon Hill Presbyterian Church, Somerville, Mass. (1 Feb 2014).
Op.119 № 1 — The Crystalline Ship. (2014) Mezzo-soprano & baritone saxophone. For D’Anna Fortunato. Text by Leo Shulte. First performed by D’Anna Fortunato & Peter H. Bloom, Church of the Advent, Boston (14 March 2014).
Opus 120 — I see people walking around like trees. (2014) Flute, clarinet, double-bass & frame drum. Duration: 5'30. First performance by The k a rl h e nn i ng Ensemble, King’s Chapel, Boston (15 April 2014).
Opus 122a — Le tombeau de W.A.G. (2014). Arrangement for alto flute, clarinet, double-bass & frame drum. First performed by The k a rl h e nn i ng Ensemble, Clarendon Hill Presbyterian Church, Somerville, Mass. (6 June 2014).
Op.126 № 7 — Gabriel’s Message (Basque Carol). (2015) Flute, violin, two baritone voices, and small women's chorus unison. First performed by Peter H. Bloom, Rachel Wimmer, and members of the choir of Holy Trinity United Methodist Church, Danvers, Mass. (13 Dec 2015).
Op.126 № 3a — Variations on a Basque Carol. (2014) Arrangement for C flute unaccompanied. First performed by Peter H. Bloom, Holy Trinity United Methodist Church, Danvers, Mass. (13 Dec 2015).
Opus 129 — From the Pit of a Cave in the Cloud. (2015) Soprano, flute, bass flute (doubling on piccolo), tenor recorder (doubling on soprano recorder) & horn. Duration: 14'00. Text by Leo Shulte. First performed by Barbara Hill-Meyers and The k a rl h e nn i ng Ensemble, at King’s Chapel in Boston (27 Oct 2015).
Opus 138 — Oxygen Footprint. (2016). Fl, va, hp. Duration: 7'00. For Ensemble Aubade. First performed by Ensemble Aubade, Stamford, NY (20 Nov 2016)
Opus 138a — Oxygen Footprint. (2016). Arrangement for fl, va, pf. Duration: 7'00. For Ensemble Aubade. First performed by Ensemble Aubade, Jacksonville, Illinois (7 Apr 2017)
Opus 140 — Sound + Sight: Music to Paint By. (2016) 2 flutes, clarinet, horn & fixed media. Duration: 25'.
1. The Conquest of Emptiness
2a. Avant-subterfuge (Before the Tape)
2b. Sonic Dissemblage (Sex Tape)
3. Contemplating the Irrepressible (Happy Birthday, Carl Nielsen!)
Première performance: Maria Bablyak, Irina Pisarenko, & The k a rl h e nn i ng Ensemble, King’s Chapel (21 June 2016).
Opus 141a — Mistaken for the Sacred. (2017) 2 flutes, horn & fixed media. First performed by The k a rl h e nn i ng Ensemble, Clarendon Hill Presbyterian Church, Somerville, Mass. (24 Mar 2017).
Op.101 — Here You Go / Hear You Go. (2010) Flute & clarinet. Duration: 6'. First performance: Peter H. Bloom & the composer, King’s Chapel, Boston (18 May 2010).
Op.103 — How to Tell (Chasing the Tail of Nothing). (2011) Alto flute, clarinet & frame drum. Duration: 10'. First performance: The k a rl h e nn i ng Ensemble, King’s Chapel, Boston (19 May 2011).
Op.113 № 2 — Après-mystère. (2014) Flute (or piccolo) & clarinet in A. Duration: 5'. First performed by Peter H. Bloom & the composer, King’s Chapel, Boston (7 Oct 2014).
Op.114 № 2 — Zen on the Wing. (2013) Flute & clarinet in A. Duration: 5'. First performed by Peter H. Bloom & the composer, King’s Chapel, Boston (8 Oct 2013).
Op.117 — Jazz for Nostalgic Squirrels. (2013-14). Flute, clarinet, guitar & double-bass. First performed by The 9th Ear, Clarendon Hill Presbyterian Church, Somerville, Mass. (1 Feb 2014).
Op.119 № 1 — The Crystalline Ship. (2014) Mezzo-soprano & baritone saxophone. For D’Anna Fortunato. Text by Leo Shulte. First performed by D’Anna Fortunato & Peter H. Bloom, Church of the Advent, Boston (14 March 2014).
Opus 120 — I see people walking around like trees. (2014) Flute, clarinet, double-bass & frame drum. Duration: 5'30. First performance by The k a rl h e nn i ng Ensemble, King’s Chapel, Boston (15 April 2014).
Opus 122a — Le tombeau de W.A.G. (2014). Arrangement for alto flute, clarinet, double-bass & frame drum. First performed by The k a rl h e nn i ng Ensemble, Clarendon Hill Presbyterian Church, Somerville, Mass. (6 June 2014).
Op.126 № 7 — Gabriel’s Message (Basque Carol). (2015) Flute, violin, two baritone voices, and small women's chorus unison. First performed by Peter H. Bloom, Rachel Wimmer, and members of the choir of Holy Trinity United Methodist Church, Danvers, Mass. (13 Dec 2015).
Op.126 № 3a — Variations on a Basque Carol. (2014) Arrangement for C flute unaccompanied. First performed by Peter H. Bloom, Holy Trinity United Methodist Church, Danvers, Mass. (13 Dec 2015).
Opus 129 — From the Pit of a Cave in the Cloud. (2015) Soprano, flute, bass flute (doubling on piccolo), tenor recorder (doubling on soprano recorder) & horn. Duration: 14'00. Text by Leo Shulte. First performed by Barbara Hill-Meyers and The k a rl h e nn i ng Ensemble, at King’s Chapel in Boston (27 Oct 2015).
Opus 138 — Oxygen Footprint. (2016). Fl, va, hp. Duration: 7'00. For Ensemble Aubade. First performed by Ensemble Aubade, Stamford, NY (20 Nov 2016)
Opus 138a — Oxygen Footprint. (2016). Arrangement for fl, va, pf. Duration: 7'00. For Ensemble Aubade. First performed by Ensemble Aubade, Jacksonville, Illinois (7 Apr 2017)
Opus 140 — Sound + Sight: Music to Paint By. (2016) 2 flutes, clarinet, horn & fixed media. Duration: 25'.
1. The Conquest of Emptiness
2a. Avant-subterfuge (Before the Tape)
2b. Sonic Dissemblage (Sex Tape)
3. Contemplating the Irrepressible (Happy Birthday, Carl Nielsen!)
Première performance: Maria Bablyak, Irina Pisarenko, & The k a rl h e nn i ng Ensemble, King’s Chapel (21 June 2016).
Opus 141a — Mistaken for the Sacred. (2017) 2 flutes, horn & fixed media. First performed by The k a rl h e nn i ng Ensemble, Clarendon Hill Presbyterian Church, Somerville, Mass. (24 Mar 2017).
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