Monday evening was the initial/organizational meeting of an experimental music group organized by Pam Marshall (a k a rl h e nn i ng Ensemble stalwart) and fellow composer Charles Turner (also of Triad). Experimental scores, frequently a kind of guided improvisation, it was all fun, as I had anticipated; and probably everyone who took part felt it was worthwhile. All things running even, I should be happy to become a part of the endeavor, if not much beyond musical rehearsal and performance is required of me.
My Problem is, I already have Thursday evenings out for HTUMC choir rehearsal, and (at least 20 weeks out of the season) Monday evenings dedicated to Triad. I am not at all looking for a third weeknight where I am out – three nights taken away from my own creative work, plus the interference with my beauty rest before I need to report to work for The Man, is more disruption in my routine than I can consent to.
This is the Voice of Experience speaking not without a note of regret. In October-November last year I was a sub in the Cantata Singers; and while it was undeniably a musically gratifying time, the additional strain for those weeks was a bit wearing.
On that theme, Monday night’s rest was sufficiently curtailed, that yesterday was more of a Zombie Tuesday than I quite like, partly for the downstream effect of my having no juice last night for work on the Clarinet Sonata. (I did, however, get some nominal work on a piece for my handbell choir, because I do need to have at least two new pieces in their folders for our Back-to-Work rehearsal after church this Sunday coming.)
So tonight I have finished the arrangement for the handbell choir, and got a little work done on the Op.136. I am keen to restore the right sort of momentum.