More work on the bus ride this morning. Having a lot of fun writing this one.
Originally, I was thinking three movements, but in the back of my mind this began to seem template-ish. I quickly moved (a day or two ago) to thoughts of four movements. This morning, as I was toweling off after the morning ablutions, the thought flitted through my sleepy neurons, Viola Sonata . . . Clarinet Sonata . . . what instrument next? Va Sta in three movements, Cl Sta in four . . . five movements for the third?
And then I thought, No - I'll cast the Clarinet Sonata in five movements, with a short clarinet unaccompanied mvt, and the three middle movements attacca (or does that just make it three big movements?)
I was also originally thinking that the whole piece would run half an hour, but as I start taping out the five movements, we just may run the clock to 40 minutes, if we can make it worth the audience's time.
i. Another Think Coming [ Allegro ]
ii. Boulez est mort [ Adagio ]
iii. Ambiguity & Overlap (Something or other, if not something else entirely) [ Vivo ]
iv. Unanticipated Serenity [ Allegretto grazioso ]
v. After a reading of "The Mysterious Stranger" [ Andante - Vivace assai - Andante ]
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