Later this year, both Paul Cienniwa and Michael Joseph will severally program the Organ Sonata.
Last night, I drew up about half of the baritone saxophone accompaniment for The Crystalline Ship.
Peter Czipott and co-translator John Ridland have graciously consented to permit me to use their translation of a Sándor Márai poem for the Op.119; there are some steps of choreography to secure formal permission from the publisher(s), yet. I am planning to accompany that one with bass flute, but will hold off actual work until permission is formally granted.
Which reminds me that there is a matter I must see to with an old acquaintance in Buffalo . . . .
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