Hadn't thought about this in quite some time, but the recollection is warmly pleasant.
While in Charlottesville, and inspired by Webern’s example, I assembled a mixed sextet for which I arranged, first, the Bach Ricercar a 6, and then a Gibbons Fantasia a 6. There was, alas! certainly no recording. May not even have made it to the performance stage, though I definitely remember a rehearsal, maybe two.
I remember my eye falling on the parts for one or both of these sometime last year; not sure they survived the paper purge.
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