The Castelo novo needs a bit more massaging than I had figured. Still seeking to Make It Work; haven’t come all this way just to come a musical cropper.
The Duke of Madness Motors DVD-ROM mp3 radio reissue commemoralia is already (i.e., upon the audition of but a single hour’s worth) a mind-blowing bonanza. Finding yet newer admiration for the Four or Five Crazee Guys.
A monophony came to me last night while my head upon the pillow did rest, for use in How to Tell. My inclination is for a spacious soundscape. Two of my staunchest fans, though, are clamoring for more . . . activity. Perhaps Castelo will serve to appease the demands for activity, and I can get away with following my incline. Not that I am entirely averse to composing into an anticline.
My back-of-the-envelope schema for How to Tell has fairly tight turns to it, so perhaps that will be activity enough. I feel that if I give this monophony (which will soon become a polyphony) the air it seems to demand, though . . . there will be revision of the schema. Which of itself is within the Henning method, to be sure.
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