The Weekend Fix-It List

p. 22, m. 317 :: "straight mute" collides with double-barline (this was my fault earlier from the conversion)

p. 23, m. 334 :: fonts don't match (I wound up creating separate objects for the two lines of text, last night, but they don't have to be, of course)

pp. 26, 27 :: there are a couple of locos that don't make sense, because I failed completely to correct the lack of ottava bassa lines in the tuba.

mm. 378-380: D is where it needs to sound; in the Finale score, I had notated it an octave higher w/ 8va bassa

mm. 384-390: G and F, ditto.

p. 35, m. 504 :: Not crucial, but in the source score I had signs above the measure indicating to the conductor the measure's subdivision (2 + 3)

p. 37, m. 541 :: Missing cresc. hairpins in the brass.

p. 38, m. 544 :: Ditto.

End of score :: I should like to add:

Boston, Massachusetts
10 July 2006

Will take another look later.

---

p. 1, system 1

A Sx, m. 7 :: slur crowds tie
T Sx, m. 3 :: f crowds beam (?)
Tn I & II, B Tn, m. 3 :: f crowds bottom line of staff (?)

p. 1, system 2

Cl I, m. 14 :: slur crowds second-ledger-line C
A Sx, m. 8 :: slur crowds tie

p. 3, system 3

Cl I, mm. 29 & 33 :: slur crowds G and first-ledger-line A (?)

p. 4, system 2

Bar Sx, m. 50 :: flip stem of flagged eighth-note B

p. 5, system 1

T Sx, mm. 60-61 :: eighth-note E should be tied to following half-note

p. 6, system 1

Cl I, m. 76 :: hairpin crowds slur betw. S Sx & A Sx, m. 76 :: slurs & hairpin crowded
A Sx, m. 77 :: slur crowds tie at end of m.
T Sx, m. 77 :: slur crowds first-ledger-line A
Bar Sx, mm. 73-75 :: slur collides w/ T Sx staff
Tn II, m. 77 :: slur crowds tie at end of m.

p. 6, system 2

A Sx, m. 78 :: slur crowds tie
A Sx, m. 82 :: quarter-note C# tied to quarter-note, should be half-note C#
A Sx, m. 83 :: slur crowds tie at end of m.
T Sx, m. 82 :: slur crowds first-ledger-line A
Bar Sx, m. 80 :: slur crowds third-ledger-line E
Tn I, m. 83 :: slur crowds tie at end of m.

p. 7, system 1

S Sax, m. 87 :: staccato mark should be below notehead
S Sax, m. 89 :: slur crowds tie at end of m. (?)
T Sx, m. 87 :: slur crowds first-ledger-line A
Bar Sx, mm. 88-89 :: slur collides w/ T Sx staff

p. 7, system 2

S Sax, m. 90 :: slur crowds tie at beginning of m.
S Sax, m. 94 :: slur crowds stem of A
A Sax, m. 90 :: slur crowds # sign (?)
A Sax, m. 92 :: slur crowds E (?)
T Sax, m. 90 :: slur crowds G (?)
T Sax, m. 91 :: slur crowds A (?)

p. 8, system 1

A Sx, m. 101 :: # crowds barline
Saxes, m. 101 :: nudge p closer to respective staff (?)

p. 8, system 2

Cl II, m. 105 :: slur crowds A &c.
A Sx, m. 106 :: # crowds barline

p. 9, system 1

Cl I, m. 117 :: mp & hairpin crowd tie (?)
A Sx, m. 113 :: # crowds barline
betw. Bar Sx & Tn I :: correct crowding

p. 9, system 2

Cl I, m. 119 :: reverse hairpin crowds Cl II (?)
betw. Bar Sx & Tn I :: correct crowding

p. 13, system 1

A Sx, m. 173 :: # crowds barline
Tn II, m. 175 :: hairpin crowds Tn II tie

p. 13, system 2

brass, m. 187 :: extend hairpin through m. 188

p. 14, system 2

Ta, mm. 201-202 :: hairpins collide w/ or crowd ties

p. 15, system 1

Betw. S Sx & A Sx, m. 205 :: slurs crowded
A Sx, mm. 209-210 :: slur a bit dodgy
Ta, mm. 209-210 :: hairpins crowd ties

p. 15, system 2

A Sx, m. 212 :: slur a bit dodgy

p. 16, system 1

Cl I, m. 223 :: slur crowds second-ledger-line A
Cl I, m. 225 :: slur crowds second-ledger-line A
Ta, mm. 220-221 :: hairpins collide w/ or crowd ties
brass, m. 223 :: manage placement of fzp

p. 16, system 2

Betw. S Sx & A Sx, mm. 228-229 :: hairpin & reverse, crowding
Ta, mm. 227-229 :: hairpins collide w/ or crowd ties

p. 16, system 3

Betw. B Cl & Bar Sx :: bit more space perhaps

p. 17, systems 1, 2, 3

Betw. B Cl & Bar Sx :: bit more space perhaps

p. 18, system 2

Cl I, mm. 279-280 :: nudge hairpin closer to Cl I staff
T Sx, m. 276 :: correct beam on beat 2 (just a mess)
T Sx, m. 277 :: add accent to first A-flat
T Sx, m. 280 :: slur collides with cautionary accidental
Tn I & B Tn, m. 281 :: mf & hairpin crowd tie

p. 19, system 1

S Sx, m. 282 :: move staccato marks to noteheads
S Sx, mm. 283, 285 :: move accents to noteheads
A Sx, mm. 284, 285, 287 :: figures on first beat of respective measures need stem direction reversed
T Sx, m. 285 :: figure on first beat of measure needs stem direction reversed
Bar Sx, m. 282 :: eighth-notes should be staccato
Bar Sx, m. 283 :: eighth-notes on first beat should be staccato

p. 19, system 2

A Sx, m. 292 :: figure on second beat of measure needs stem direction reversed
T Sx, m. 289 :: figure on first beat of measure needs stem direction reversed
T Sx, m. 292 :: tie at end of measure needs to be flipped
Bar Sx, m. 290 :: tie in middle of measure needs to be flipped

p. 20, system 1

S Sx, mm. 293-294 :: move staccato marks to noteheads
S Sx, mm. 295, 297 :: move accents to noteheads
T Sx, m. 296 :: figures need stem direction reversed

p. 20, system 2

S Sx, mm. 299-301 :: move staccato marks to noteheads
Bar Sx, m. 302 :: tie at end of measure needs to be flipped

p. 21, system 1

B Cl, m. 305 :: add accent to B-natural
S Sx, mm. 303, 305-307 :: move staccato marks to noteheads
S Sx, m. 305 :: move accent to notehead
A Sx, m. 306 :: figure on first beat of measure needs stem direction reversed

p. 21, system 2

B Cl, m. 314 :: f crowds stem (?)

p. 22, system 1

Saxes, mm. 317-318 :: hairpins crowded (?)
Betw. Tn I & Tn II, mm. 318-319 :: hairpin crowds tie

p. 22, system 2

Ta, m. 328 :: hairpin crowds tie

p. 24, system 1

B Cl, m. 348 :: duplicate instrument change marks (artifact from my work Friday night)

p. 24, system 2

S Sx, m. 356 :: beginning of slur crowds third-space C (?)
S Sx, m. 357 :: slur crowds tie
T Sx, m. 355 :: beginning of slur crowds third-space C (?)

p. 25, system 1

Cl I, m. 360 :: beginning of slur crowds noteheads (?)
S Sx, mm. 360-362 :: reverse stem direction on third-space C figures
A Sx, m. 362 :: reverse stem direction on beat 2 figure
T Sx, m. 359 :: reverse stem direction on beat 2 figure

p. 25, system 2

S Sx, m. 370 :: reverse stem direction on flagged eighth-note C
A Sx, m. 367 :: reverse stem direction on third-line B figure

===============

HOLY COW HUGE ERROR ON MY PART

Bass Cl does not change back to Cl II until m. 367

===============

p. 26, system 1

Cl I, m. 375 :: beginning of slur crowds noteheads (?)
S Sx, mm. 374 :: reverse stem direction on beat 2 figure
T Sx, mm. 372 :: reverse stem direction on beat 1 figure

p. 26, system 2

Cl I, m. 380 :: slur crowds second-ledger-line C
Cl II, m. 378 :: slur crowds second-ledger-line C
A Sx, m. 378 :: reverse stem direction on third-line B figure

p. 27, system 1

Cl I, m. 391 :: slur crowds third-ledger-space D and second-ledger-line C
A Sx, m. 385 :: reverse stem direction on third-line B figure
Ta, mm. 403-407 (system 2) :: pitch sounds as notated, only change to employ ottava bassa

p. 27, system 2

Cl I, m. 392 :: slur crowds first-ledger-line A
S Sx, m. 393 :: reverse stem direction on flagged eighth-note C

p. 28, system 1

S Sx, m. 393 :: reverse stem direction on quarter-note C

p. 28, system 2

Cl I, m. 407 :: beam eighth-notes across rest on beat 2
Cl I, m. 408 :: beam eighth-notes across rest on beat 1
Cl I,I m. 407 :: beam eighth-notes across rest on beat 1

p. 29, system 1

T Sx, m. 417 :: reverse stem direction on half-note E
Bar Sx, m. 411 :: reverse stem direction on flagged eighth-note B

p. 29, system 2

T Sx, m. 419 :: reverse stem direction on B's
Bar Sx, m. 418 :: reverse stem direction on beat 2 eighth-note figure

p. 30, system 1

T Sx, m. 425 :: reverse stem direction on dotted-quarter B

p. 30, system 2

A Sx, m. 434 :: reverse stem direction on beat 2 eighth-note figure
T Sx, m. 432 :: tie at start of measure is dodgy

p. 31, system 1

Bar Sx, m. 446 :: sharp crowds barline
Bar Sx, m. 447 :: slur collides with tie

p. 31, system 2

Cl I, m. 449 :: hairpin crowds slur
S Sop, m. 449 :: fix hairpin & slur
A Sx, m. 449 :: hairpin collides w/ T Sx slur
T Sx, m. 448 :: sharp collides w/ slur
T Sx, m. 449 :: nudge hairpin closer to staff
T Sx, m. 453 :: slur crowds tie
Bar Sx, m. 448 :: tie collides w/ slur
Bar Sx, m. 453 :: slur crowds third-ledger-line E, tie

p. 32, system 1

Cl I, m. 449 :: sharp crowds barline
S Sax, m. 456 :: move staccato mark to notehead
T Sax, m. 454 :: slur crowds tie
T Sax, m. 455 :: slur crowds first-ledger-line A
Tn I, m. 456 :: slur crowds tie
Tn II, m. 458 :: slur crowds tie

p. 32, system 2

Cl I, m. 460 :: slur crowds tie
S Sx, m. 465 :: slur crowds tie
T Sax, m. 460 :: slur crowds first-ledger-line A
T Sax, m. 464 :: slur crowds first-ledger-line A
Bar Sax, m. 460 :: slur crowds #

p. 33, system 1

Cl I, mm. 471-472 :: reverse stem of B's
S Sax, m. 471 :: move staccato mark to notehead
Tn I, m. 466 :: p collides w/ Tn II tie

p. 33, system 2

Cl I, m. 473 :: reverse stem of B
Bar Sx, m. 477 :: # crowds barline
Brass, m. 477 :: some of the hairpins looks scrawny; slightly expand

p. 34, system 1

A Sx, m. 483 :: # crowds barline

p. 34, system 2

Cl I, m. 490 :: reverse stems of beat 1 figure
Cl I, m. 495 :: slur a bit dodgy
Betw. Cl II & S Sax :: a bit more space
T Sax, m. 491 :: hairpin crowds tie

p. 35, system 1

Cl II, m. 497 :: reverse stems of beat 2 figure

p. 35, system 3

Cl I, m. 512 :: tie a bit dodgy (?)

p. 36, system 1

Cl I, m. 515 :: slur collides w/ third-ledger-space D
A Sax, mm. 519-521 :: #'s crowd barlines (?)

p. 36, system 2

Cl I, mm. 522-524 :: reverse stem direction of B's
A Sx, mm. 522-524 :: reverse stem direction of B's

p. 37, system 2

A Sx, mm. 540 :: reverse stem direction of beat 1 figure

p. 38, system 1

Cl I, m. 549 :: # crowds barline (?)
A Sx, m. 547 :: # crowds barline

p. 38, system 2

Cl I, m. 555 :: # crowds barline
T Sx, m. 553 :: # crowds barline

p. 39, system 2

S Sax, m. 567 :: # crowds barline
A Sax, m. 568 :: # crowds barline
T Sax, m. 569 :: # crowds barline

p. 40, system 2

Ta, m. 584 :: hairpin crowds tie

p. 41, system 2

Cl I, mm. 603 :: reverse stem direction of B
Ta, m. 600 :: p collides with loco

p. 42, system 1

S Sx, mm. 606-607 :: check tie?

p. 42, system 2

S Sx, mm. 614-615 :: check tie?

p. 43

Generally dynamics and hairpins in cls are in danger of collision