Gentle Reader, as I noted this past Tuesday, I reached the end of the text. In the time since, I have chipped away at three predictable tasks: Refining local text-rhythm here and there, and adding some more material for the instruments.
A bit more fundamentally, having taken the first steps to harmonize the vocal score and the fixed media, I have tinkered a bit with the latter. While I have done with that tinkering for the present, it may need some further (hopefully not radical)adjustment as the scoring nears completion.
I have now reached a point where hard copy for proofing and additional scribbling will be just the thing, and which should be available to me Monday.
Progress on the Op.150 being thus temporarily suspended for a few days, Let me occupy my composition desk the while with the Op.75. Night the Fourth will be cloven in twain:
Scene 12a: No Word From the Lodger—Nastenka is desolate.
Scene 12b: The Dreamer Declares His Love—He and Nastenka Are Giddy—Comes the Lodger.
On one hand, it seems natural that I should, for Scene 12a recapitulate the material from Scene 3a, Nastenka at the Bridge. On 'tother, I already recapitulated it in Scene 10. So let me consider.