The passacaglia which is the heart of the new violin-&-harpsichord piece, Plotting (y is the new x), has wound up at a nice round 40 variations on the theme, and I worked out variations XXXVIII, XXXIX & XL on this morning's train.
And there will be room for a brief toccata in the capacity of a coda . . . as the passacaglia just kept motoring on, I was starting to think that maybe that would be the piece, and that I should need to abandon my original idea of Introduction, Passacaglia & Toccata. Now that I have shaped the whole passacaglia . . . well, I know where the matter rests.
(I think I mentioned ere now that when Paul & I talked about it, he wanted a piece between 7 and 12 minutes; and you know that means that I would write a 12-minute piece . . . .)
I have that same feeling I had when I had done writing both Counting Sheep, and the St John Passion - that I have written my best music to date.